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socially engaged art, particpatory practices, Wellbeing, hereness Sarah Breen Lovett 9/1/20 socially engaged art, particpatory practices, Wellbeing, hereness Sarah Breen Lovett 9/1/20

#4. Sculpting by Means of a Minus with Honi Ryan

Released for the full moon 2nd September 2020

Silent dinners, site walking and deep listening to create
mindful encounters, meditative action and social sculptures.

“Walking Presence”  Social Performance 20 participants 1.5 hours, Lahore, 2016 - Honi Ryan.  Photo: Kashif Saleem

Honi Ryan.

The Silent Dinners, Honi Ryan, 2006–present

Mindful Encounters, Honi Ryan, 2013–2015

Gestures of Intent, Honi Ryan, 2015

The Passage of Water, Honi Ryan and Caara Fritz Hunter, 2014

Along the Well, Palimpest Performances, Honi Ryan, 2014

Palimpest Performances on Critical Spatial Practices, Sarah Breen Lovett & Jane Rendell, 2014 

Embedded Memories of Site at Woodford Academy by Dr Sarah Breen Lovett, in Affective Architectures: More-Than-Representational Geographies of Heritage, Routledge 2019. 

Urbanites Pakistan, Honi Ryan 2016

We Walk Lahore, Honi Ryan 2016

Feeting Fears, Honi Ryan, 2013

Inventing Peace – Wim Wenders and Mary Zournazi. Part 1

Inventing Peace – Wim Wenders and Mary Zournazi. Part 2

Inventing Peace – Wim Wenders and Mary Zournazi. Part 3

 

WeiZen Ho Signature Sounds : “Invocation” & “Piano Strings, Broken Bows, Horsehair”

 
Top Image:  “Walking Presence”  Social Performance 20 participants 1.5 hours, Lahore, 2016 - Honi Ryan.  Photo: Kashif SaleemBottom Image: “Fleeting Fears 3”  Performance documentation, 2013 - Honi Ryan

Top Image: “Walking Presence” Social Performance 20 participants 1.5 hours, Lahore, 2016 - Honi Ryan. Photo: Kashif Saleem

Bottom Image: “Fleeting Fears 3” Performance documentation, 2013 - Honi Ryan

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